I happened to be in Guyana when the Theatre Guild put on a
production after a hiatus due to COVID. Both productions had a strong
Trinidadian link and the former was written 60 yrs ago and adapted to
Guyanese circumstances.
Duenne, I was later told, is used as a CXE book for Literature and explores themes of relationships and what happens in pre-life. The stage was set closer to the audience and gave a more intimate feel with the actors utilizing all parts of the auditorium, reminding me of the warehouse theatres in London-- sadly mostly closed down. I thought the actors were very good - having to shift scenes in near darkness!
The play opened with the Creator getting ready to send one of his creations to earth and we were also introduced to the recipient of this creation - an artist living a bohemian life. Luckily I am not a parent but I wondered how I would feel about the description of (happy!) post-coital musings to my 15 yr old. My view is that the young of today already have the joys of childhood stripped away from them way too fast. Another friend who attended observed to me that the average 15yr old in Guyana would have been exposed to enough sexual views just riding the minibuses! Sheltered middle class must be a dying breed?
The spirit child was not keen on leaving her comfortable existence but as her father God explained - how could she be said to exist if her presence on earth is not manifest? Our bohemian artist meanwhile been abandoned by her 'love' and finds herself pregnant with all the misgivings about her condition being voiced. Meanwhile the spirit child has had a change of heart and is prepared to manifest as an earthly presence and tries to console the potential mother although they are in different planes of existence. I liked that the Guyanese description of 'throw the baby away' was worked in and kudos to Paloma for an original play with a nod to the Trinidadian concept of duenne.
The Tramping Man I had a bigger problem with as the only noticeable Indian actor in both plays was the policeman who was carrying out orders of his commandant to bully the happy go lucky and probably mystical working class local 'Pied Piper' of all men. The blurb in the program explained the play was written 60yrs ago most probably while the writer was in Trinidad. The play was re-written using Guyanese locations and must have been performed around the mid to latter part of the 1960s.
Before I proceed, I should point out my background: I was brought to Guyana as a 4yrs old after my mother was appalled when my older brother came home to ask her 'what is a paki' - being called that at a school she gave up her career to become a teacher in - a private Kindergarten. I think at that time I did not question why most visible public people were white and it never occurred to me the complete change in colour of the population when we moved to Guyana. HOWEVER, when the maid took me to the Empire Cinema around the corner from the rented house we were living in - my first Indian movie was a complete RELEVATION- here were Indian people doing regular things - and covering the whole spectrum - the goodies, the baddies, the comics and ordinary roles! Somehow my 5 yr old self now had a picture of how Life could be. My Nigerian friend in London amused me in 1996 by buying black magazines to scatter around the home so her toddler could also have these positive images.
The local Guyanese newspapers both at
that time and now have mainly pictures of people of African origin and
mixed races. It has always irked me how the images never reflected the
silent and largely bullied majority - thanks US and UK. Today's
Stabroek News has a letter with this observation: 'George Lamming argued
that the Anglo-Saxon was taken over by the Afro-Saxon in the Caribbean
since little has changed. This is the birth of neo-colonialism.' In
London currently the pendulum has swung completely the other way to
ridiculous where Anne Boleyn is black and when practically every family
in TV Ads is a Black and White mix, in spite of the population having
more people looking like they came from the Indian sub-continent than
the African one - however with a lot of Africa planning on jumping on
little boats to get to Europe and the UK - I m guessing that might
change and it may be a self-fulfilling prophecy.
But back to
the play, the main story is that the powers that be are threatened by a
country (Berbice) upstart who is uniting the masses cutting across class
lines. As a Guyanese, the play would make more sense to me if the
Indian actor was the Tramping Man upsetting the status quo - that would
represent pre-independence Guyana. However I concede that he was not as
good an actor in terms of projecting his voice as the actor who did
play the Tramping Man. One can argue that the audience ought to look
past the race of the actor but in the Guyanese context - post 1998
certain segments of the black working class took to tramping the streets
at the behest of Hoyte as he had lost the elections and I thought
having a Indian police in this play represented the perception of the
Government at that time as promoted by Hoyte.